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I recently had the privilege of attending two unique
Hollywood events: a celebration of Paramount Pictures'
90th anniversary, and a memorial service for "the
last of the moguls," Lew Wasserman.
One might ask when 90 became a round-enough number
to warrant an anniversary, but one would be discounting
Hollywood's eagerness to pat itself on the back. On
Sunday evening, July 14, Paramount gathered 90 stars
who had appeared in its movies and TV shows to pose
for a commemorative photo in front of the historic studio
gates. Annie Leibovitz took the shot, which will appear
in an upcoming issue of Vanity Fair.
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The most enjoyable aspect of the evening was seeing how
excited the stars were to be with each other—and
to meet people they genuinely admired. Florence Henderson
told me that she approached Morgan Freeman to say what
a fan she was; he stunned her by not only recognizing
her but returning the compliment. Younger actors were
blown away by the mere presence of Jackie Cooper (who
was nominated for a Best Actor Academy Award seventy years
ago, for his performance in the 1931 Paramount Picture
Skippy), Donald O'Connor (who made his screen
debut at Paramount in 1938 at the age of 12), Jane Russell,
Mickey Rooney, and Gloria Stuart. Actors of renown were
impressed to meet Patricia Neal and Jane Fonda and Sidney
Poitier. No one was immune from stargazing, and everyone
seemed to be having a good time. Publicists were banned,
and speechmaking was kept to a minimum.
And it's hard to be blasé when you notice Harrison
Ford, Calista Flockhart, Sidney Poitier and his wife
Joanna Pacula, Michael Douglas, Catherine Zeta Jones,
Morgan Freeman, Danny De Vito, and Al Pacino all sitting
at one table!
The next day, my wife and I attended another memorable
event: a memorial service for Hollywood agent-turned-media
mogul, empire builder, philanthropist, and political
kingmaker Lew Wasserman, which was held at the Universal
Studios amphitheater. Universal closed up shop at 2:00
that day so that employees could attend. There were
several thousand people there, including company rank
and file, friends, admirers, family, and a daunting
cadre of political figures including Dick Gephardt,
Al Gore, California Governor Gray Davis, Nancy Reagan,
and the former President of the United States, Bill
Clinton.
Speakers included the current chief of Universal—as
it now stands, at least—Barry Diller; Wasserman's
longtime partner Sid Sheinberg; Jeffrey Katzenberg;
Suzanne Pleshette, who enlivened the proceedings with
her salty, funny portrayal of Wasserman's relationship
with his wife Edie; Jack Valenti, who makes no bones
about the fact that he owes his career at the MPAA to
Wasserman; and Steven Spielberg, who revealed that he
finally got the taciturn Hollywood veteran to sit for
a four-hour oral history last year. (Wouldn't it be
great to see that tape, or read a transcript?)
Again and again, the speakers emphasized Lew Wasserman's
loyalty, honesty, straightforwardness, and modesty.
John J. Sweeney, president of the AFL-CIO, flew across
the country to pay tribute to the man he characterized
as a friend to workers, and repeated what we've read
before: that Wasserman may have been a tough negotiator,
but he was fair and his word was inviolate. Sheinberg
spoke of how this mighty boss sought to reward loyal
employees and encouraged profit-sharing plans. Katzenberg
told an amusing story of how he and others on the board
of the Motion Picture and Television Fund tried to get
Edie and Lew to allow their names to be honored on a
new facility—in spite of their abhorrence of such
grandstanding. They finally acquiesced, but Lew then
told Katzenberg that if anyone ever came along who was
willing to give even more money in return for replacing
the name, he should take the deal.
I came away from this moving and meaningful service
with great admiration for the man who was being honored,
but an even greater sense of frustration—that
the qualities he valued, so lavishly praised all afternoon,
are not emulated by leaders of present-day Hollywood.
If only a fraction of the movers and shakers who attended
this tribute would try to embrace even one of Lew Wasserman's
ideals, the community would be a much better place to
live and work.
I can dream, can't I?
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