Watching Glenn Close and Jonathan Pryce is a treat, and the details in Björn Runge’s production are so convincing that it wasn’t until the film was over that I found myself pondering its credibility. That’s a credit to the…
Any film that opens with Chris O’Dowd talking directly to the camera is starting on the right foot as far as I’m concerned–I find his attitude and sense of off-kilter humor irresistible. In Juliet, Naked he plays a man who is…