There’s an old, old show-business maxim that encourages performers to leave their audiences wanting more. Apparently that concept is unknown to many of today’s movers and shakers.  Indiana Jones and the Dial of Destiny has everything money can buy and then some. If one hair-raising, high-speed chase through narrow city streets is good, two should be better. How about three? The motto seems to be “more is more” as the film piles on set-piece after set-piece in a full-throttle attempt to exhaust us in the audience. What began as an homage to the Saturday matinee serials that George Lucas grew up watching on TV (a generation after they were made in the 1940s) has wound up as a bloated vehicle for the still-charismatic Harrison Ford. And … Continue reading INDIANA JONES AND THE DIAL OF DESTINY