NIGHTMARE ALLEY: FILM NOIR PERFECTION
Some filmmakers get so caught up in the look and feel of their films that they lose their grip on the storytelling. Others know how to tell a good story but don’t have the money or the clout to…
THE TENDER BAR: CYNICS NEED NOT APPLY
The Tender Bar is based on a memoir by J.E. Moehringer, adapted by the screenwriter of The Departed and Kingdom of Heaven, William Monaghan. It’s a rose-colored remembrance of his youth and transition to adulthood, with an absentee father…
WEST SIDE STORY…AGAIN
Was anyone hankering for a new film adaptation of West Side Story? Did this venerable musical need refreshing? I honestly don’t think so. The multi-Oscar-winning 1961 movie is unquestionably dated, but it is a product of its time and the prevailing…
THE FRENCH DISPATCH: QUEL FROMAGE
Writer-director Wes Anderson enjoys inventing worlds all his own, then inviting his ever-growing community of actors to occupy them so fully that we, too, become engaged. It’s a risky proposition that sometimes works beautifully (The Grand Budapest Hotel) and…
PLENTY OF TIME TO DIE: THE NEW JAMES BOND MOVIE
The caretakers of the Intellectual Property known as James Bond, knowing that their newest effort would be the last one to star Daniel Craig, decided to spare no expense—or footage—to make this an “epic” entry in the long-running series.…
SEARCHING FOR MR. RUGOFF
Don Rugoff changed the face of moviegoing in New York in the 1960s and had a lasting impact on the way foreign and independent films were distributed and advertised. I was part of that audience but frankly, I had…
‘SUMMER OF SOUL’ OFFERS MORE THAN JUST GREAT MUSIC
There are concert films, and then there is Summer of Soul (…or When the Revolution Could Not Be Televised), a knockout of a movie featuring precious performance footage that hasn’t been seen since it was shot in 1969. Ahmir Thompson,…
