Menu

FOLIE INDEED: THIS TIME THE JOKE IS ON US

What a waste! The only folie (or delusion) in Joker: Folie à Deux is believing that I want to spend quality time with Arthur Fleck, the pathetic figure first played by Joaquin Phoenix in 2019. This time, he meets his match in a groupie (Lady Gaga) who joins him in performing a roster of tunes that might comprise an album called Songs for the Criminally Insane. I don’t need to be reminded what good songs like “Get Happy” and “Bewitched” sound like. I can listen to them anytime and I don’t have to suffer through a turgid drama in the bargain. The only consolation I take is that the song catalogues of such great teams as Burt Bacharach and Hal David or Leslie Bricusse and Anthony Newley…

READ MORE >

NEW ON DVD/BLU-RAY/4K IN SEPTEMBER

The following article was written by my friend and colleague Alonso Duralde. You can learn more about him HERE. NEW ON DVD/BLU-RAY/4K IN SEPTEMBER: ALL OF US STRANGERS, MENUS PLAISIRS, GREGG ARAKI’S TEEN APOCALPYSE TRILOGY, AND MORE! NEW RELEASE WALL All of Us Strangers (The Criterion Collection): With previous films like Weekend and Lean On Pete, writer-director Andrew Haigh has revealed his fluency in the language of heartache and longing, and those sentiments are front and center in this acclaimed drama. Andrew Scott stars as a blocked screenwriter dealing with not only a potential new relationship with a neighbor (Paul Mescal) but also the fact that the ghosts of the writer’s parents (Claire Foy and Jamie Bell) have turned up at his childhood home, meeting their…

READ MORE >

I’M JUST WILD ABOUT ‘THE WILD ROBOT’

I no longer feel an imperative to see and review every animated feature that comes along, but Chris Sanders’ The Wild Robot is exceptional in every way. It embraces a wide range of emotions and somehow manages to keep cynicism at bay. My class of 20-somethings at USC adored it, and so did I. Sanders is by now a veteran in the field, having attended Cal Arts and worked on such Disney films as Beauty and the Beast, The Lion King, and Mulan, finally taking command on the distinctive-looking Lilo & Stitch. (He even performed the impish character’s voice). Moving to DreamWorks with his longtime partner Dean DeBlois he was instrumental in shaping How to Train Your Dragon and launching a mini-industry in the process. This is reportedly the last DreamWorks Animation film to…

READ MORE >

HEADS UP: IT’S NATIONAL SILENT FILM DAY

What started out as a lark, or a novelty, has blossomed into an event of real significance: National Silent Film Day. Some participants are celebrating this Saturday, the 28th, and some on Sunday, the 29th. I could easily watch a silent film every day of the week but for people who have to be cajoled (or possibly shanghaied into) the process I understand the usefulness of making it An Event. Time and time again I have seen newbies—especially kids—be wowed by the potency of silent movies on a big screen. Until you’ve heard children laughing out loud at Chaplin, Keaton, or Laurel and Hardy you just haven’t lived. The folks at Kino Lorber tell me that they are servicing more than 25 screenings in various…

READ MORE >

THE CRITIC

Any film bearing that title and Ian McKellen in the leading role holds the promise of good entertainment, even the possibility of greatness. Add to that the credentials of the writer, Patrick Marber (Closer, Notes on a Scandal), director Anand Tucker (Hilary and Jackie) and a top-notch supporting cast (Gemma Arterton, Mark Strong, Lesley Manville, Ben Barnes, Romola Garai) and expectations grow stronger. But sorry to say, The Critic is unworthy of anticipation. Mind you, this is a revised version of the feature that unspooled at the Toronto Film Festival last year. The participants are vague about what was altered but there was definitely a reshoot involving several of the principals. I shudder to think what the first draft looked like. McKellen plays an aged drama critic for…

READ MORE >

BRINGING RARE MOVIES AND MOVIE LOVERS TOGETHER

This past weekend was like visiting an oasis. It brought back memories of attending the annual Cinefest in Syracuse, New York, where every day was packed with screenings—and lots of chatter with like-minded friends in between. I proposed to the folks who run Quentin Tarantino’s New Beverly Theater in Los Angeles that we show a selection of early 1930s Universal Pictures, using pristine prints the studio struck over the past twenty years. My colleague Dave Kehr at New York City’s Museum of Modern Art, took advantage of this goldmine eight years ago and framed it as a tribute to Carl Laemmle, Jr., the unsung namesake of the studio’s colorful founder. But until I thought of trying the New Bev, as its denizens call it, I…

READ MORE >

MERCHANT IVORY: A UNIQUE LOOK BEHIND THE SCENES

I screened this documentary out of a misplaced sense of duty. After all, the filmmaking team of Ismail Merchant and James Ivory made a number of exceptional films over many years’ time, and Ivory is still going strong at age 95. Attention must be paid, and good work celebrated. Stephen Soucy has done just that, but he’s given us a good deal more. Only an insider would be able to penetrate the curtain of discretion that has surrounded the filmmaking team for decades. It was known that of the two, Ivory was the hands-on director and Merchant the outgoing producer who raised the money to get movies like Shakespeare Wallah and The Bostonians made. Most of their films were scripted by the prize-winning author Ruth Prawer Jhabvala—not an Indian,…

READ MORE >

Subscribe to our newsletter

MERCH

Maltin tee on TeePublic

PODCAST

Maltin on Movies podcast

PAST MALTIN ON MOVIES PODCASTS

Past podcasts

PATREON

Maltin On Movies Patreon

APPEARANCES/BOOKING

Leonard Maltin appearances and booking

CALENDAR

October 2024
S M T W T F S
 12345
6789101112
13141516171819
20212223242526
2728293031