‘OPPENHEIMER’ IS A TRADITIONAL BIOPIC
Now that the drum-beating has peaked, we can see for ourselves what Christopher Nolan has wrought in Oppenheimer, as unlikely a major-studio summer movie as ever was. It’s all dressed up in IMAX and 70mm but what we get is a fairly traditional biopic, no better or worse than many others of recent and distant memory. We even get to see the cast in old-age makeup, but we don’t ever learn what made the man tick. I haven’t read Nolan’s source material, Martin J. Sherwin and Kai Bird’s Pulitzer Prize-winning 2005 book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, so I can’t assess its value as opposed to the film. Being a Nolan screenplay, the story is told in nonlinear fashion. Cillian Murphy, with…












