BABYLON: AN ELEPHANTINE TIME TRIP
Give Damien Chazelle credit for loving movies and Hollywood history. That’s what led him down the long and winding road to Babylon. But we all know what the road to hell is paved with, and this movie is a shining…
WOMEN TALKING: ONE OF A KIND
Sarah Polley has carved her own path, first as an actress and now as a filmmaker, having piloted a highly personal documentary (Stories We Tell) and two frank observational pieces about marriage (Take This Waltz, Away from Her). But…
AVATAR: ON THE CUTTING EDGE
I surrender. It’s easy to poke holes in James Cameron’s films because of awkward dialogue or glib characterizations or his propensity for staging climaxes to his climaxes. But I was completely taken in by Avatar: The Way of Water and overwhelmed…
THE FABELMANS: STEVEN SPIELBERG’S ULTIMATE HOME MOVIE
A handful of directors have given us movies about their youth, but none of their origin stories are as well-known as Steven Spielberg’s. In The Fabelmans the most famous and successful filmmaker of our time offers his version of the events…
AMSTERDAM: AN ALMOST-GOOD MOVIE
Look, I get it. It isn’t easy to craft an original screenplay, introducing an audience to newly-minted characters worth caring about, then building a three-act structure that makes perfect sense. David O. Russell has had more success than many…
THE GOOD BOSS: GOOD GOING
Javier Bardem essays the title role in The Good Boss, and that is how his character would describe himself. He inherited from his father a factory that makes scales—all sizes and kinds—and presides over a hundred or so workers that he…
BACK TO THE DRIVE-IN
April Wright has made several good documentaries, includingGoing Attractions: The Definitive Story of the Movie Palace(in which I appear)and Going Attractions: The Definitive Story of the American Drive-in Movie. The latter film is bathed in an understandable nostalgia for the kind…
