One of the cutest of all child
actors in the 1930s, Dickie Moore worked with Gary Cooper, Marlene Dietrich,
Paul Muni and other luminaries, but may be best remembered for his one-year
stint as a member of Our Gang. He not only survived the “awkward years” of
adolescence and young adulthood, but built a new career for himself in the
field of public relations. He also wrote one of the most candid and perceptive
books about child actors, Twinkle Twinkle
Little Star (But Don’t Have Sex or Take the Car), published in 1984. It
included contributions from such contemporaries as Shirley Temple, Jackie
Coogan, and Mickey Rooney.
Dick Moore died this week, just days short of his 90th birthday.
When I first interviewed him in
1975, I asked who made the greatest impression on him during his years in
Hollywood, he said, “I think in the total experience, I think, about four or
five people… Ernst Lubitsch, who was very generous with his time, while they
were setting up for Heaven Can Wait.
I was 14 then, 15, and we’d just sit around the set talking about his philosophy…
He was an incredible man, marvelous, gave me a whole different insight into how
somebody who by everyone’s definition is successful can have their own
definition of success which is unrelated to the way other people look at it… Gary Cooper opened up the whole outdoors. We
still have a farm. I’ve been a falconer, I’m intensely interested in animals,
animals of all kinds, and that all started with Cooper on Sergeant York… Bob Mitchum, much later, after the war, in Out of the Past. I’d just been out of
the Army hospital after World War Two and he was just a whole breath of life.
He was incredible…he was just exactly the kind of guy I needed to meet right
then. I think he’s grand, a totally unique and remarkable person who was going
to do it his way and not compromise his personal integrity as he saw it and let
the chips fall where they may.”
In summing up his life and career,
I asked if he felt lucky. “Oh yes,” he answered immediately. “Incredibly. I’ve
had good friends, I’ve been in the right place at the right time, and I was
lucky in the sense that I never really liked acting that much. The big problem,
the big floundering for me was to get the hell out of the bag and take the
contents with me. It’s a terrible box to be in. You awaken in your early-middle
age sometime with a wife, and children, and responsibilities, and you realize
that even if you could be successful
doing this for a good deal longer, you just may not want to, and what else can you do?
Well, I was fortunate. I was always interested in writing.” He went to
college, majored in journalism, and worked steadily for decades to follow.
He lucked out again when he met and
fell in love with another Hollywood survivor. In 1988 he married Jane Powell
and they became a real-life “Dick and Jane,” dividing their time between an
apartment in Manhattan and a home in Connecticut. She attended to him full-time
during the past few years as his mental and physical health declined.
I feel
fortunate to have spent some time with Dick and Jane and felt the glow of their
happy life together. And we are all lucky that Dick shared his memories and
observations of a notable career that just happened to take place when he was
very young.
