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Leonard Maltin

Leonard Maltin is one of the world’s most respected film critics and historians. He is best known for his widely-used reference work Leonard Maltin’s Movie Guide and its companion volume Leonard Maltin’s Classic Movie Guide, now in its third edition, as well as his thirty-year run on television’s Entertainment Tonight. He teaches at the USC School of Cinematic Arts and appears regularly on Reelz Channel and Turner Classic Movies. His books include The 151 Best Movies You’ve Never Seen, Of Mice and Magic: A History of American Animated Cartoons, The Great Movie Comedians, The Disney Films, The Art of the Cinematographer, Movie Comedy Teams, The Great American Broadcast, and Leonard Maltin’s Movie Encyclopedia. He served two terms as President of the Los Angeles Film Critics Association, is a voting member of the National Film Registry, and was appointed by the Librarian of Congress to sit on the Board of Directors of the National Film Preservation Foundation. He hosted and co-produced the popular Walt Disney Treasures DVD series and has appeared on innumerable television programs and documentaries. He has been the recipient of awards from the American Society of Cinematographers, the Telluride Film Festival, Anthology Film Archives, and San Diego’s Comic-Con International. Perhaps the pinnacle of his career was his appearance in a now-classic episode of South Park. (Or was it Carmela consulting his Movie Guide on an episode of The Sopranos?) He holds court at leonardmaltin.com. Follow him on Twitter and Facebook; you can also listen to him on his weekly podcast: Maltin on Movies. — [Artwork by Drew Friedman]

PARALLEL MOTHERS: ALMODÓVAR’S LATEST

Pedro Almodóvar is a master stylist and storyteller. As a longtime fan I am glad he is so prolific, because if one of his films doesn’t meet my (high) expectations I console myself with the knowledge that there is…
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BEING THE RICARDOS: IN BLACK & WHITE AND COLOR

I’m not a fan of show-business biopics, on the whole. Too often the leading actors can’t capture what made the stars they’re playing so special. Others succumb to overly familiar Hollywood storytelling tropes. Being the Ricardos is a rare exception because…
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NIGHTMARE ALLEY: FILM NOIR PERFECTION

Some filmmakers get so caught up in the look and feel of their films that they lose their grip on the storytelling. Others know how to tell a good story but don’t have the money or the clout to…
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THE TENDER BAR: CYNICS NEED NOT APPLY

The Tender Bar is based on a memoir by J.E. Moehringer, adapted by the screenwriter of The Departed and Kingdom of Heaven, William Monaghan. It’s a rose-colored remembrance of his youth and transition to adulthood, with an absentee father…
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WEST SIDE STORY…AGAIN

Was anyone hankering for a new film adaptation of West Side Story? Did this venerable musical need refreshing? I honestly don’t think so. The multi-Oscar-winning 1961 movie is unquestionably dated, but it is a product of its time and the prevailing…
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THE FRENCH DISPATCH: QUEL FROMAGE

Writer-director Wes Anderson enjoys inventing worlds all his own, then inviting his ever-growing community of actors to occupy them so fully that we, too, become engaged. It’s a risky proposition that sometimes works beautifully (The Grand Budapest Hotel) and…
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THE BEST MOVIE BOOKSTORE IN THE WORLD

I never dreamed I would be in partnership with the world-famous Larry Edmunds Bookshop, but they are your one-stop source for a personally signed copy of my brand-new book Starstruck: My Unlikely Road to Hollywood (GoodKnight Books) When I made my…
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