ANORA: THE LATEST FROM SEAN BAKER
Sean Baker is one of the brightest and most original filmmakers of his generation. He rates a place in cinematic history for being the first professional to shoot a feature film on an iPhone. That was Tangerine, which was set…
THE APPRENTICE: A BIOPIC FOR OUR TIME
The first thing you should know is that this biopic is not a hatchet job on the former President. It’s a smart, but not smart-alecky, dramatization of his evolution as an entrepreneur and public figure, under the tutelage of…
FOLIE INDEED: THIS TIME THE JOKE IS ON US
What a waste! The only folie (or delusion) in Joker: Folie à Deux is believing that I want to spend quality time with Arthur Fleck, the pathetic figure first played by Joaquin Phoenix in 2019. This time, he meets his…
I’M JUST WILD ABOUT ‘THE WILD ROBOT’
I no longer feel an imperative to see and review every animated feature that comes along, but Chris Sanders’ The Wild Robot is exceptional in every way. It embraces a wide range of emotions and somehow manages to keep cynicism at bay.…
HEADS UP: IT’S NATIONAL SILENT FILM DAY
What started out as a lark, or a novelty, has blossomed into an event of real significance: National Silent Film Day. Some participants are celebrating this Saturday, the 28th, and some on Sunday, the 29th. I could easily watch…
THE CRITIC
Any film bearing that title and Ian McKellen in the leading role holds the promise of good entertainment, even the possibility of greatness. Add to that the credentials of the writer, Patrick Marber (Closer, Notes on a Scandal), director…
BRINGING RARE MOVIES AND MOVIE LOVERS TOGETHER
This past weekend was like visiting an oasis. It brought back memories of attending the annual Cinefest in Syracuse, New York, where every day was packed with screenings—and lots of chatter with like-minded friends in between. I proposed to…
