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Leonard Maltin

Leonard Maltin is one of the world’s most respected film critics and historians. He is best known for his widely-used reference work Leonard Maltin’s Movie Guide and its companion volume Leonard Maltin’s Classic Movie Guide, now in its third edition, as well as his thirty-year run on television’s Entertainment Tonight. He teaches at the USC School of Cinematic Arts and appears regularly on Reelz Channel and Turner Classic Movies. His books include The 151 Best Movies You’ve Never Seen, Of Mice and Magic: A History of American Animated Cartoons, The Great Movie Comedians, The Disney Films, The Art of the Cinematographer, Movie Comedy Teams, The Great American Broadcast, and Leonard Maltin’s Movie Encyclopedia. He served two terms as President of the Los Angeles Film Critics Association, is a voting member of the National Film Registry, and was appointed by the Librarian of Congress to sit on the Board of Directors of the National Film Preservation Foundation. He hosted and co-produced the popular Walt Disney Treasures DVD series and has appeared on innumerable television programs and documentaries. He has been the recipient of awards from the American Society of Cinematographers, the Telluride Film Festival, Anthology Film Archives, and San Diego’s Comic-Con International. Perhaps the pinnacle of his career was his appearance in a now-classic episode of South Park. (Or was it Carmela consulting his Movie Guide on an episode of The Sopranos?) He holds court at leonardmaltin.com. Follow him on Twitter and Facebook; you can also listen to him on his weekly podcast: Maltin on Movies. — [Artwork by Drew Friedman]

‘CONCLAVE’ IS GRIPPING

The election of a new pope is one of the world’s most recognizable rituals. Conclave spins its tale with confidence because director Edward Berger and screenwriter Peter Straughan (adapting Robert Harris’s novel) know that we in the world outside the…
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ANORA: THE LATEST FROM SEAN BAKER

Sean Baker is one of the brightest and most original filmmakers of his generation. He rates a place in cinematic history for being the first professional to shoot a feature film on an iPhone. That was Tangerine, which was set…
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THE APPRENTICE: A BIOPIC FOR OUR TIME

The first thing you should know is that this biopic is not a hatchet job on the former President. It’s a smart, but not smart-alecky, dramatization of his evolution as an entrepreneur and public figure, under the tutelage of…
952

FOLIE INDEED: THIS TIME THE JOKE IS ON US

What a waste! The only folie (or delusion) in Joker: Folie à Deux is believing that I want to spend quality time with Arthur Fleck, the pathetic figure first played by Joaquin Phoenix in 2019. This time, he meets his…
1904

I’M JUST WILD ABOUT ‘THE WILD ROBOT’

I no longer feel an imperative to see and review every animated feature that comes along, but Chris Sanders’ The Wild Robot is exceptional in every way. It embraces a wide range of emotions and somehow manages to keep cynicism at bay.…
1947

HEADS UP: IT’S NATIONAL SILENT FILM DAY

What started out as a lark, or a novelty, has blossomed into an event of real significance: National Silent Film Day. Some participants are celebrating this Saturday, the 28th, and some on Sunday, the 29th. I could easily watch…
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THE CRITIC

Any film bearing that title and Ian McKellen in the leading role holds the promise of good entertainment, even the possibility of greatness. Add to that the credentials of the writer, Patrick Marber (Closer, Notes on a Scandal), director…
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