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PARALLEL MOTHERS: ALMODÓVAR’S LATEST

Pedro Almodóvar is a master stylist and storyteller. As a longtime fan I am glad he is so prolific, because if one of his films doesn’t meet my (high) expectations I console myself with the knowledge that there is another one in the works. In less skillful hands, the ingredients of Parallel Mothers might result in a soap opera that would invite quibbles over credibility. But Almodóvar’s characters have inner lives; we empathize with them and that makes them real. Penélope Cruz plays a successful photographer who gives birth to a child without committing to a longterm relationship with the father. She befriends a younger woman who shares her hospital room immediately following the birth, and the two promise to stay in touch. Cruz cannot know that…

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BEING THE RICARDOS: IN BLACK & WHITE AND COLOR

I’m not a fan of show-business biopics, on the whole. Too often the leading actors can’t capture what made the stars they’re playing so special. Others succumb to overly familiar Hollywood storytelling tropes. Being the Ricardos is a rare exception because of two key participants: Nicole Kidman and writer-director Aaron Sorkin. Kidman has said this was the toughest character she ever attempted to play, and it’s easy to see why. Millions of us know and, yes, love Lucille Ball. She manages to bring the actress and the woman she played so indelibly to vivid life. I “buy” her as Lucille Ball as well as her alter ego, Lucy Ricardo. She is as convincing as Steve Coogan and John C. Reilly were in Stan and Ollie, and that’s an…

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NIGHTMARE ALLEY: FILM NOIR PERFECTION

Some filmmakers get so caught up in the look and feel of their films that they lose their grip on the storytelling. Others know how to tell a good story but don’t have the money or the clout to hire great teammates to help them realize their vision. With Nightmare Alley, Guillermo del Toro has deftly balanced both demands and crafted an exceptionally good movie that stands as one of the year’s best. William Lindsay Gresham’s bleak, provocative novel has been filmed before, in 1947 with Tyrone Power in the starring role. It was a fluke for mainstream Hollywood, a downbeat movie which gave its handsome leading man something to sink his teeth into. Bradley Cooper also has good looks but has proven himself as actor of…

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THE TENDER BAR: CYNICS NEED NOT APPLY

The Tender Bar is based on a memoir by J.E. Moehringer, adapted by the screenwriter of The Departed and Kingdom of Heaven, William Monaghan. It’s a rose-colored remembrance of his youth and transition to adulthood, with an absentee father (whose voice he hears on the radio), a crusty but soft-hearted grandfather (Christopher Lloyd), and a loving, ever-present mother (Lily Rabe). The father-figure in his life is his amiable Uncle Charlie, a bartender (Ben Affleck) who dispenses sound, working-class wisdom on a regular basis. The wide-eyed boy named JR is played by newcomer Daniel Ranieri, a “find” who effortlessly commands the screen without a hint of coyness. He learns the meaning of unconditional love from his mom and grudgingly comes to accept the fact that his…

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WEST SIDE STORY…AGAIN

Was anyone hankering for a new film adaptation of West Side Story? Did this venerable musical need refreshing? I honestly don’t think so. The multi-Oscar-winning 1961 movie is unquestionably dated, but it is a product of its time and the prevailing mindset in Hollywood. It was also a smash hit with the public. Having outsized talents like Steven Spielberg and playwright Tony Kushner at the helm helped ease this production into being without vocal opposition. Hiring the indomitable Rita Moreno to appear in a newly-fashioned supporting role didn’t hurt. She is also credited as an executive producer. And, barely one week before his demise, lyricist Stephen Sondheim gave the new interpretation his ringing endorsement. So who am I to complain? The movie starts well, in a paraphrase…

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THE FRENCH DISPATCH: QUEL FROMAGE

Writer-director Wes Anderson enjoys inventing worlds all his own, then inviting his ever-growing community of actors to occupy them so fully that we, too, become engaged. It’s a risky proposition that sometimes works beautifully (The Grand Budapest Hotel) and often defies the viewer to become absorbed in it (Moonrise Kingdom). There is no “right” or “wrong” response, only a personal reaction to the material at hand. Here, his inspiration is The New Yorker magazine, founded in the 1920s but riding a wave of literary discovery in the 1950s and 60s. I am a longtime reader, but you don’t have to have to be intimately acquainted with the real-life contributors to recognize them in parody form—still, some degree of awareness doesn’t hurt. Following the format of a magazine,…

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THE BEST MOVIE BOOKSTORE IN THE WORLD

I never dreamed I would be in partnership with the world-famous Larry Edmunds Bookshop, but they are your one-stop source for a personally signed copy of my brand-new book Starstruck: My Unlikely Road to Hollywood (GoodKnight Books) When I made my first trip to Los Angeles in 1968 to attend the Cinecon, I was happy to learn that our convention headquarters, The Hollywood Roosevelt Hotel, was within walking distance of Larry Edmunds. The store was renowned for its comprehensive array of film books as well as movie stills, posters, scripts and other memorabilia. When I walked in and surveyed the scene, with oodles of books and boxes and boxes of 8x10s, I wasn’t disappointed. Gawking comes naturally to anyone encountering such a scene. I’m even happier to…

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