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ACADEMY SPREADS THE LOVE AROUND

An honor roll that ranges from Barbie to Spider-man, that recognizes a German actress and an underappreciated African-American actor, can’t be called anything but inclusive. That’s what I like about this year’s Oscar nominees. As always, the Actors’ branch—by far the largest number of voting members—is always welcoming to newcomers like Sandra Hüller, who is so good in Anatomy of a Fall, and relative newbies like Danielle Brooks and Colman Domingo, both of whom have paid their dues. Even Jeffrey Wright, for all his experience on stage, film, and television, has seldom had a leading role as rich as the one he plays in American Fiction. Its director and screenwriter, Cord Jefferson, is not a kid either but this marks his first feature film. The Holdovers’ Da’Vine Joy Randolph was a Tony…

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WHAT’S NEW ON DVD/BLU-RAY/4K IN JANUARY

The following article was written by my friend and colleague Alonso Duralde. You can learn more about him HERE. What’s New on DVD/Blu-ray/4K in January: Eileen, Coffin Joe, Chantal Akerman, and More! NEW RELEASE WALL Eileen (Decal Neon): In director William Oldroyd’s follow-up to the acclaimed Lady Macbeth, Anne Hathaway and Thomasin McKenzie perform a complicated dance of possession and obsession as two very different employees of a grim 1960s juvenile facility: McKenzie’s mousy, put-upon worker is dazzled by Hathaway, all Marilyn Monroe–hair and cigarettes and sophistication as a mysterious new therapist at the hospital. The characters drag each other to dark places, but there’s no taking your eyes off the two leads. Also available: Butcher’s Crossing (Sony Pictures Home Entertainment): Nicolas Cage leads a party…

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NEW LIFE FOR VINTAGE FILMS

Like many of you, I’ve been spending more time at home than I used to. Turner Classic Movies presents a nonstop array of films from the past, including some I’ve managed to miss across the years. And I’m always happy to discover, or revisit, an old short subject from Vitaphone or MGM. Call it a leftover from the pandemic, but my wife and I need to nudge ourselves to go out these days. The availability of new movies at home—especially during awards season—for a journalist like myself is a virtual invitation to stay home. Even my favorite film of 2023, The Holdovers, is now available digitally and on Blu-ray. Yet almost every trip to a theater serves as a reminder of how rewarding it is to…

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A MUST-SEE NEW DOCUMENTARY: VISHNIAC

I feel foolish admitting that I was unfamiliar with Roman Vishniac and the incredibly evocative photos he shot in Weimar Germany and its surrounding countries before they fell victim to Hitler and the Nazi party. Little did he dream that he was capturing the faces and attitudes of people who would vanish from the earth a short time later—a “lost generation.” His daughter could recall standing in his darkroom watching these images come to life, and she is the primary link to the protagonist of Laura Bialis’s compelling new documentary Vishniac. The pictures alone would warrant a feature-length film—and fill several published volumes—but Vishniac lived into his 90s and thrived in a second career here in the U.S. as a scientist who popularized microphotography. His…

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SOME 2023 SLEEPERS WORTH CATCHING

Every year some good movies fly under the radar (or slip through the cracks, if you prefer), despite the best efforts of distributors and drum-beating by critics who do their best to spread the good word. Here are a few that I think are worth your time. Jules is a quiet film of considerable charm. Ben Kingsley has been outfitted with a wig that gives him the look of an ordinary American small-towner. He is so convincing that it’s easy to forget who is playing this eccentric character: a man who cried wolf. He lives by himself and attends every city council meeting with the same complaint about an unmarked crosswalk. Then one day a spaceship lands in his backyard and with it comes an alien…but…

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A BIT OF CRUMPET

Leonard here. My colleague Mark Searby is going to be sharing columns with us highlighting British cinema past and present. Please enjoy A Bit of Crumpet. I have a quote on my wall from writer/director Guillermo del Toro that reads:  “I think that you go to the movies for the reason that when you’re a Catholic you go to church. Because even though it doesn’t happen every time, now and then you have a spiritual experience. And the rare time it happens, it’s sufficient to keep you coming back.”  And he is correct. Those moments in cinema that we treasure for a lifetime are just magical, maybe even religious.  But what if not just watching the movie is magical, but the actual venue itself is…

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FERRARI: WORTH WAITING FOR

Producer-director Michael Mann has been trying to get this movie made for thirty years. (His co-screenwriter Troy Kennedy Martin died in 2009!) But Ferrari has finally crossed the finish line in style. It’s exciting, intelligent, witty and elegant, with a central performance that’s a knockout. In some ways the delays have accrued to its benefit: CGI has come a long way and enabled crucial scenes to be filmed in credible (and grim) detail. But Mann has done his best to avoid such trickery: he commissioned a fleet of 1957 red Ferrari replicas to use in his picture. With due thanks to cinematographer Erik Messerschmidt and editor Pietro Scalia the racing scenes are arguably the most vivid and visceral ever committed to film. Extra applause for David Werntz,…

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