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CAPTAIN AMERICA: BRAVE NEW WORLD
I just watched CAPTAIN AMERICA: BRAVE NEW WORLD for the second time, as producer Kevin Feige and director Julius Onah came to my class at USC for a q&a following the screening… and you know what? I enjoyed it…
UNSTOPPABLE
Unstoppable is a mashup of an underdog sports movie and a domestic drama about a family terrorized by an abusive father. The worst thing I can say about it is that it is conventional, but since when is that a…
I’M STILL HERE: AN UNSOLVED MYSTERY
I admire Walter Salles’ work, and I’m especially fond of his acclaimed features Central Station and The Motorcycle Diaries. He has returned to his Brazilian roots for another exceptional narrative, I’m Still Here…but he hastens to explain that it’s not the story, or…
THE LAST SHOWGIRL
The first feature film directed by Gia Coppola, Eleanor and Francis’s granddaughter, is a respectable but unmemorable vehicle for former Baywatch and Playboy pin-up Pamela Anderson. The script has been custom-tailored for her and she comes off well, but the film has only…
THE BRUTALIST
Every rare now and then, a performance comes along that is so organic and natural that even though one is familiar with the actor all memories of his other work recede. That’s how I felt watching Adrien Brody in The…
A COMPLETE UNKNOWN: MY FAVORITE FILM OF THE YEAR
Biographical films are a minefield, but A Complete Unknown dodges every trap and emerges as my favorite movie of 2024. No one is more surprised than I, because I’ve never been a Bob Dylan fan… but Timothée Chalamet delivers a compelling…
MARIA
The overuse of the word “iconic” has rendered it practically meaningless, but if it ever applied to a public figure it would be opera star Maria Callas. Director Pablo Larrain, having focused on two other notable women of the…
