MAY DECEMBER
Todd Haynes would seem an ideal choice to direct a story inspired by the real-life case of schoolteacher Mary Kay LeTourneau, who made headlines in the 1990s when she raped a 12-year-old student, then married him and raised a…
FALLEN LEAVES: A QUIET GEM
I’m a relative latecomer to the charms of Aki Kaurismäki’s work, but I’ve become a proselytizer to make up for lost time. The Finnish writer-director who brought us Le Havre and The Other Side of Hope is backwith a thoroughly entertaining, completely unpredictable…
THE KILLER
David Fincher’s films are often cold-blooded and I was wary of him adapting the graphic novel The Killer. Sure enough, this cheerless bit of 21st century pop existentialism is schematically laid out, following an assassin as he performs one hit after…
PRISCILLA: A MINIMALIST BIOPIC
I think I’ve just seen the first minimalist biopic ever made. Most movies about famous people’s lives come from the opposite direction, embellishing their feats, triumphs and failures. This one simply observes, almost without comment, the—uh—unusual relationship between Priscilla…
NYAD: AN EMOTIONAL EXPERIENCE
Like many or most of you, I’ve watched Annette Bening and Jodie Foster give fine performances for years and years, but I got so wrapped up in NYAD –and their exceptional work—that I allowed myself to believe that they…
THE HOLDOVERS: THE YEAR’S BEST MOVIE TO DATE
It’s a shame that Alexander Payne isn’t more prolific; six years have passed since his last film appeared on theater screens, the underappreciated Downsizing. All the more reason to cheer for and welcome The Holdovers, the most satisfying film I’ve seen all year.…
KILLERS OF THE FLOWER MOON
The day after watching this important new film I read a fascinating interview with Martin Scorsese in The New Yorker. In it, he revealed that his original plan of faithfully adapting David Grann’s novel went aground after a first reading…
