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A CANDID LOOK AT INGRID BERGMAN

Documentaries about film history don’t seem to have long shelf lives, in theatrical or television distribution. That’s why I’m grateful that the Criterion Collection has released Stig Björkman’s Ingrid Bergman In Her Own Words, which played the film festival circuit and a handful of theaters last year. This strikingly intimate portrait of the luminous leading lady draws on the actress’ letters, diaries, and copious home movies. It features all four of her children, including Isabella Rossellini, the only one to follow in her parent’s footsteps. We learn about Bergman’s bittersweet childhood and the losses from which she never fully recovered. Once she achieved success, at home and then in Hollywood, Bergman chose career over family time and again. Somehow her children made their peace with…

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THE SUMMER’S BEST FAMILY FILM: ‘PETE’S DRAGON’

Pete’s Dragon has a vital ingredient that many fantasy films lack: a true sense of wonder. For that we must thank director and co-writer David Lowery, a newcomer to mainstream moviemaking who is best known for the indie release Ain’t Them Bodies Saints (2013). He has an understanding of how to make a modern Disney film that checks all the right boxes and leaves us fully satisfied. No wonder the studio has signed him to pilot their upcoming remake of Peter Pan. Wide-eyed Oakes Fegley plays Pete, a little boy who is forced to fend for himself in the dense forest of the Pacific Northwest. His only friend and ally is a furry, playful dragon named Elliot. In the nearest town, old-timer Robert Redford has…

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ACADEMY RESTORES HOWARD HUGHES RARITIES

Howard Hughes’ career in Hollywood was checkered, to put it mildly, but the man who made Hell’s Angels and Scarface cannot and should not be written off. Unfortunately, some of his films have been nearly impossible to see over the years while others have not been well cared for. The Academy of Motion Picture Arts and Sciences is presenting a double-bill on Monday night that represents a major restoration effort—and catnip for avid film buffs. You may think you know the 1931 version of Ben Hecht and Charles MacArthur’s classic play The Front Page, directed with flair by Lewis Milestone. I certainly did, and wrote about its recent home video release HERE. Not only has the Academy found source materials that surpass anything we’ve seen…

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MERYL IS MARVELOUS AS ‘FLORENCE FOSTER JENKINS’

Florence Foster Jenkins is a delectable alternative to the noisy fare that fill multiplexes this time of year. It offers yet another plum role to the peerless Meryl Streep and juicy parts to Hugh Grant and Simon Helberg. If the name of the title character doesn’t ring a bell, this slice of upper-crust New York cultural life in the 1940s will disarm and delight you. Even having seen the French import Marguerite earlier this year, which covers the same territory, and Judy Kaye’s one-woman show Souvenir a decade ago, I had no feeling of déjà vu watching this genteel and engaging time capsule. Jenkins was a wealthy socialite who supported musical causes and loved to sing. Because of her generosity and kindness no one had…

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ICE CREAM RECIPES FROM THE STARS

It is a source of constant amazement to me how movie stars established a hold on the public so early in the 20th century. Fan magazines sprung up in the teens and before long the world’s newest celebrities were being used to sell every imaginable product. Some of these “endorsements” were generic: a star’s face might appear on a desk blotter or calendar with the local sponsor’s name to be filled in later. This leads me to a recent discovery: a 12-page brochure called “Frozen Echoes from the Movies” written by one Lillian Blackburn and reprinted from an issue of Motion Picture Magazine, which was founded in 1911. Some of the names still echo across the years like Dorothy Gish, Blanche Sweet, and opera star…

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BEHIND THE CAMERA WITH HITCHCOCK AND ORRY-KELLY

Film buffs take note: two excellent documentaries are available for home viewing beginning this week. Kent Jones’s Hitchcock/Truffaut debuts tonight on HBO at 9:00pm. Gillian Armstrong’s Women He’s Undressed, the revealing story of Oscar-winning costume designer Orry-Kelly, makes its debut on VOD and DVD tomorrow from Wolfe Video. The films are as different in approach and content as their subjects. I first saw Hitchcock/Truffaut at the Telluride Film Festival last fall, where it met with enthusiastic response, especially from baby boomers like me who grew up on the book of the same name, a lengthy conversation between the brilliant auteur François Truffaut and the redoubtable Alfred Hitchcock. Now, almost fifty years later, the man who collaborated with Martin Scorsese on the documentaries My Voyage to…

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SUICIDE SQUAD: KILL ME NOW

Muddled storytelling, anarchic action and unsympathetic characters make this D.C. Comics adaptation one of the low-points of the summer. Yes, there’s novelty value in watching Viola Davis play an evil woman with ice water in her veins, and Margot Robbie is very sexy as Harley Quinn. But when the best the movie can do for Will Smith is give him a young daughter to elicit an ounce of sympathy for his character, a cold-blooded sniper named Deadshot, you know you’re in trouble. How do D.C. and Warner Bros. keep getting it wrong? After Batman v Superman you’d think there would be nowhere to go but up…but you’d be wrong. Even my son-in-law, who’s a fan of comics and graphic novels, didn’t think Suicide Squad was…

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