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THE GOOD BOSS: GOOD GOING

In Theaters Leonard Maltin Movie Reviews
4258

Javier Bardem essays the title role in The Good Boss, and that is how his character would describe himself. He inherited from his father a factory that makes scales—all sizes and kinds—and presides over a hundred or so workers that he regards as family. But the screenplay, written by director Fernando León de Aranoa, methodically reveals the truth that lurks behind the platitudes and industry awards Bardem is so proud of. The film opens with a gang of hoodlums beating up a man in a park. One of the miscreants is the son of a longtime employee, so Bardem takes time out of his Sunday to bail the young man out of jail and allay his worker’s concern by giving the boy a job helping his wife,…

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ABBOTT & COSTELLO, HARPO MARX AND MORE ON BLU-RAY

Blu-Ray/DVD Leonard Maltin
3886

JACK AND THE BEANSTALK (ClassicFlix) While I would never tout this as a great Abbott and Costello comedy, the vast array of bonus features on this release supersedes my interest in the film itself. Kudos to Bob Furmanek and the team at the 3D Film Archive for all the work they put into this production. An informative commentary track features recollections of the movie’s young costar David Stollery (better remembered for Walt Disney’s Spin and Marty serial) and Lou Costello’s daughter Chris. Jack Theakston explains the history and technology of CineColor, which reached its zenith with SuperCinecolor, as seen in this feature. The musical aspect of Jack is ably handled by Ray Faiola. A&C expert Ron Palumbo guides us through scenes that were cut from the final release print.…

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BACK TO THE DRIVE-IN

In Theaters Leonard Maltin Movie Reviews
4494

April Wright has made several good documentaries, includingGoing Attractions: The Definitive Story of the Movie Palace(in which I appear)and Going Attractions: The Definitive Story of the American Drive-in Movie. The latter film is bathed in an understandable nostalgia for the kind of outdoor theaters that flourished in the 1940s, 50s and 60s. Now Wright has gone Back to the Drive-In to pick up the story of how these “ozoners” (as Variety used to call them) made an unexpected comeback during the Covid-19 pandemic… and what has happened since. The film is loosely structured around cinema verité footage of drive-ins from coast to coast and informal interviews with their owners and managers, a doggedly determined breed of showmen and women who seem to be answering a calling. The Harvest Moon drive-in near Champaign, Illinois…

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BULLET TRAIN: GOING NOWHERE FAST

In Theaters Leonard Maltin Movie Reviews
5391

If you’ve seen Atomic Blonde, Deadpool 2, or Fast & Furious Presents: Hobbs & Shaw, you’ll recognize David Leitch’s style of filmmaking. He focuses on hyperkinetic action and flamboyant violence with a heaping dose of smartass humor—a flashy showcase that often obliterates such niceties as story, motivation, and characterization. A former stuntman who doubled for Brad Pitt in years gone by, Leitch has borrowed heavily from the playbooks of Guy Ritchie, Quentin Tarantino, and Timur Bekmambetov, among others. Call it style over substance. Screen writer Zak Olkewicz used a Japanese book as his source material.  There is a premise, but it’s played mostly for laughs, even though the wildly exaggerated violence is sometimes too startling to shrug off. Brad Pitt is a professional assassin whose unseen supervisor speaks…

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NEW AND NOTABLE FILM BOOKS JULY 2022 – PART TWO

Books Leonard Maltin
5448

THE FAMOUS MR. FAIRBANKS: A STORY OF CELEBRITY by Richard Schickel (Felix Farmer Press) I was happy to reacquaint myself with this book, a lengthy essay about the nature of celebrity based on the first man who embodied its 20th century ideal, Douglas Fairbanks. (It was first published as His Picture in the Papers in 1973.) The fact that movies enabled us in the audience to admire and identify with such a person—to feel as if we actually knew him—was unprecedented.  Schickel’s hypothesis still holds true today, more than one hundred years after Fairbanks burst onto movie screens around the world while retaining the earmarks of a “regular fellow.” The premise wears thin when the author applies it to the specifics of Fairbanks’ later life and career, but…

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NEW AND NOTABLE FILM BOOKS JULY 2022 – Part One

Books Leonard Maltin
6167

INK-STAINED HOLLYWOOD: THE TRIUMPH OF CINEMA’S TRADE PRESS by Eric Hoyt (University of California Press) This vital new book is the result of Herculean research by the man who now supervises the Media History Digital Library, where one can search through thousands of film periodicals https://mediahistoryproject.org/. He has invested untold hours to produce this survey of the trade magazines that documented the film industry in its earliest days. Were they to be cheerleaders for the studios and distributors or would they take the side of the independent theater owner? Would New York or Los Angeles give them the best vantage point to report on this brand-new industry? At what point would Variety value movies more than vaudeville? These are just a few of the topics Hoyt raises in…

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WHERE THE CRAWDADS SING

In Theaters Leonard Maltin Movie Reviews
6101

It’s easy to see why Dalia Owens’s Where the Crawdads Sing became a best-seller. It has all the ingredients to attract a wide audience: an underdog heroine with an abusive father lives in a marsh in South Carolina that makes her a literal outsider to the people of the nearest town, who treat her as a kind of freak…all except one sensitive boy who becomes her friend and personal tutor. He seems to be the ideal partner to help guide her through life…then life takes an unexpected turn. In Lucy Alibar’s adaptation of the novel, the person known as Marsh Girl is on trial for murdering the town’s most popular preppy quarterback. Daisy Edgar-Jones, an up-and-comer whose television work on such series as Normal People and Under the Banner of Heaven has…

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