BRINGING RARE MOVIES AND MOVIE LOVERS TOGETHER
This past weekend was like visiting an oasis. It brought back memories of attending the annual Cinefest in Syracuse, New York, where every day was packed with screenings—and lots of chatter with like-minded friends in between. I proposed to the folks who run Quentin Tarantino’s New Beverly Theater in Los Angeles that we show a selection of early 1930s Universal Pictures, using pristine prints the studio struck over the past twenty years. My colleague Dave Kehr at New York City’s Museum of Modern Art, took advantage of this goldmine eight years ago and framed it as a tribute to Carl Laemmle, Jr., the unsung namesake of the studio’s colorful founder. But until I thought of trying the New Bev, as its denizens call it, I…