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A COMPLETE UNKNOWN: MY FAVORITE FILM OF THE YEAR

Biographical films are a minefield, but A Complete Unknown dodges every trap and emerges as my favorite movie of 2024. No one is more surprised than I, because I’ve never been a Bob Dylan fan… but Timothée Chalamet delivers a compelling and convincing performance as the singular troubadour-poet. By not imitating Dylan’s distinctively whiny voice he even improves on some of the songs. Naturally, I am drawn to this film because I lived through the period it depicts, but I credit solid storytelling for its success; even at two hours and twenty-one minutes it doesn’t seem long. Dylan’s saga is the stuff of legend, from the moment he arrived in New York City from Minnesota in 1961. Director James Mangold and his co-writer Jay Cocks lay out the…

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MARIA

The overuse of the word “iconic” has rendered it practically meaningless, but if it ever applied to a public figure it would be opera star Maria Callas. Director Pablo Larrain, having focused on two other notable women of the 20th century (Jacqueline Kennedy and Lady Diana Spencer) has now turned his attention to the diva whose life in the public eye was as infamous as her talent. With the gifted screenwriter Steven Knight as his partner, Larrain sought an actress who could be convincing both onstage and off and found her in Angelina Jolie. Everything we read and hear about Callas seems to be larger than life, from her performances—preserved in recordings—to her high-profile love affairs. This biographical drama focuses on her later years when she…

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DAY OF THE FIGHT

What ever happened to genre movies? Hollywood thrived on westerns, musicals, gangster stories, hospital dramas, whodunits and the like until television consumed almost every category. The Day of the Fight isn’t trying to rewrite the playbook. It’s a boxing picture, and it hits most of the notes we anticipate…but that’s what makes it so satisfying. It gives us what we expect from a boxing movie. As the executive says to forlorn screenwriter Barton Fink, “What do you need—a road map?” Our hero (a perfectly-cast Michael C. Pitt) has just been sprung from prison after twenty long years. Upon his release, he is driven to make amends to people he was closest to, even those who hurt him—like his father (Joe Pesci), now living in a nursing home…

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EMILIA PÉREZ: UNIQUE AND AMAZING

Phrases like “game-changer” and “cutting-edge” can’t capture just how audacious and original Emilia Pérez is. I daresay it wouldn’t or couldn’t have been made, or even conceived, just ten years ago. (Maybe five…) I am determined to praise and discuss it without giving too much away. Here goes: Emilia Pérez is a crime thriller that boils over into melodrama, laced with violent action. It has been described as operatic, which makes particular sense when you learn that it is punctuated with a dozen musical numbers. I would love to have been a fly on the wall when filmmaker Jacques Audiard auditioned this idea for his backers. Zoe Saldaña gives an excellent performance as a lawyer who has become bored with her work, making her a perfect choice to take on…

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BLITZ: UNLIKE ANYTHING WE’VE SEEN BEFORE

Blitz is a powerful and somewhat disarming film about the longterm German bombing of London in 1940. One might be forgiven for expecting a kinder, gentler rendition of this horrific event because it’s told through the eyes of a 9-year-old boy. Guess again. Writer-director Steve McQueen spares us nothing in his recreation of the conditions before, during, and after each attack. If anything, they seem even more frightening than any dramatization we’ve seen up until now. It opens with a shot of a firefighter losing control of his hose—a truly scary situation I’ve never witnessed before—and doesn’t let up. Up till now, the citizens who endured the seemingly endless noise and destruction have displayed quiet bravery and adopted that stiff upper lip for which the Brits…

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A REAL PAIN

Jesse Eisenberg has nothing to prove; he has already staked his claim as an actor, writer, and director. But A Real Pain digs deeper than he ever has before; even the film’s title has multiple meanings. The movie simmers and occasionally boils over. The end result is a satisfying brew (to stretch a metaphor). As a writer he and Kieran Culkin share the emotional burden of the story. Culkin’s is the showier performance but Eisenberg’s quieter demeanor reveals just as much about him as Culkin does, in a different way. They both excel in bringing these recognizable characters to life. The actors portray cousins who have been close all of their lives, through many ups and downs. Eisenberg has followed a conventional path and has a job,…

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WHAT’S NEW ON DVD/BLU-RAY/4K IN NOVEMBER

The following article was written by my friend and colleague Alonso Duralde. You can learn more about him HERE. WHAT’S NEW ON DVD/BLU-RAY/4K IN NOVEMBER: BEETLEJUICE BEETLEJUICE; BOX SETS CELEBRATING CRITERION COLLECTION, HITCHCOCK, AND CAPRA; AND SO MUCH CHRISTMAS NEW RELEASE WALL Beetlejuice Beetlejuice (Warner Bros. Discovery Home Entertainment): Neither director Tim Burton nor sequels in general have had the greatest track record of late, but even after 36 years, Michael Keaton remains the ghost with the most, with Winona Ryder and Catherine O’Hara making wonderfully eccentric foils. Add Jenna Ortega as a new-millennial Goth girl, and you’ve got a dizzyingly daffy afterlife comedy (with another great Danny Elfman score). Also available: The 4:30 Movie (Lionsgate): Kevin Smith takes a dive into multiplex-moviegoing nostalgia in this…

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