Menu

MUSEUM HONORS ANIMATOR AND SPECIAL EFFECTS WIZARD

When I was a kid a strange black & white movie turned up on a local television channel: The Fabulous World of Jules Verne (1958). I’d never seen anything like it before. I came to learn that there was a reason: it was unique. It sprang from the imagination of Czech filmmaker Karel Zeman, who combined live-action, animation, fancifully designed sets, forced perspective and other techniques to achieve his amazing visuals. The film was dubbed into English and received wide U.S. release in theaters before going to television, as did his subsequent feature, The Fabulous Baron Munchausen (1961). Tim Burton, Terry Gilliam, Jan Švankmajer, Wes Anderson, and even Ray Harryhausen have been influenced by Zeman’s work, which has often been compared to the pioneering “trick films” of George Méliès. Film historian George Sadoul wrote, “He is justly considered…

READ MORE >

MOVIE HIGHS AT TELLURIDE

The Telluride Film Festival is the only event I know where I could come away raving about a 1929 silent-film discovery and getting a tantalizing taste of the fall movie season. Festival directors Julie Huntsinger and Tom Luddy offer a feast of riches that no one can possibly digest in its entirety. As much as I love this weekend it is fraught with frustrating choices (a first-world problem, I know). I would have loved to take in more of the hot new movies; it’s exciting to see them fresh and hear their creators speak. It’s that heady blend of past and present that attracts the world’s leading directors, journalists, and movie lovers to this beautiful Rocky Mountain town year after year. This year, my family…

READ MORE >

LOGAN LUCKY: NOT AS GOOD AS ITS CAST

Logan Lucky is a likable-enough redneck heist movie set behind the scenes at a NASCAR championship event. At two hours it’s longer than it ought to be and takes too much time recapping how the central caper was executed at the end of the picture. Director Steven Soderbergh and first-time screenwriter Rebecca Blunt set things up for us to cheer at the finish line but the movie never rouses that kind of enthusiasm. Logan Lucky’s ace in the hole is the casting of Daniel Craig as a sly, tow-headed Southern convict named Joe Bang, who’s spirited out of prison in order to help Channing Tatum and his crew pull off a daring racetrack robbery. Craig seems to be having fun in this lively supporting role and he…

READ MORE >

CALIFORNIA TYPEWRITER: EVERYTHING OLD IS NEW AGAIN

I am a sucker for this kind of film. California Typewriter celebrates the durable, once-ubiquitous device that computers put out of business and the grass-roots spirit that drives people like Tom Hanks, John Mayer, and the late Sam Shepard to do their writing on these venerable machines. It also tells the parallel story of an Oakland, California typewriter repair shop and the uncertain future it faces, along with its resident fix-it genius, Herbert Permillion II. It’s one thing for someone like Hanks to collect vintage typewriters (he has 250) and extoll their virtues. It’s another for someone to eke out a living paying rent for a storefront that serves as home base for a man who knows typewriters inside out. Is there really a future for such…

READ MORE >

FAREWELL TO JERRY LEWIS

I’ll never forget the first time I set eyes on Jerry Lewis. I was six years old and my parents took me to see The Delicate Delinquent. It was his first solo movie without Dean Martin, but I didn’t know that then. All I knew is that the film opened with a tense buildup to a gang rumble in an alleyway—only to be interrupted by Jerry stumbling through a doorway and noisily knocking over a bunch of garbage cans. That quintessential Jerry gag won me over on the spot and I became a fan. What made me laugh so hard? I may not have understood, but Jerry did.  “I was nine all of my life,” he has said, explaining his screen persona. “Nine is innocent. Nine has…

READ MORE >

TINTED TALKIES

I recently wrote about the DVD release of William S. Hart’s Western Wagon Tracks from Olive Films with artistic title cards and authentic tints, taken from an original 35mm print at the Library of Congress. (to read the article, click HERE). I’ve always associated the process of tinting and toning with silents, but until I read the following article—originally published by the Chicago Film Society in 2013, in conjunction with a screening of One Hour With You—I never realized how much use of color was made in the talkie era. This has come to the fore just recently because of UCLA Film and Television Archive’s restoration of The Vampire Bat, which includes a newly-discovered hand-colored sequence. It wasn’t even mentioned in reviews of the picture when it opened in 1933! (The restored version is now available on DVD and Blu-ray…

READ MORE >

THE GLASS CASTLE: A BEST-SELLER COMES UP SHORT

The Glass Castle is a deeply-felt adaptation of journalist Jeannette Walls’s best-selling memoir about growing up with impoverished and irresponsible parents. The story is told piecemeal and in retrospect, with Brie Larson as the adult Jeannette, who has made a success of herself and turned her back on her mother and father. The challenge she faces is coming to terms with the fact that for all their quirks, and even cruelty, they always loved her. An emotional high-wire act like that is tough for any movie to take on, and the results are less than perfect. Larson does a fine job playing the sleek, uptight New York magazine columnist who’s about to marry a finance manager (Max Greenfield ). But with relatively little screen time, she is outshone…

READ MORE >

Subscribe to our newsletter

MERCH

Maltin tee on TeePublic

PODCAST

Maltin on Movies podcast

PAST MALTIN ON MOVIES PODCASTS

Past podcasts

PATREON

Maltin On Movies Patreon

APPEARANCES/BOOKING

Leonard Maltin appearances and booking

CALENDAR

May 2026
S M T W T F S
 12
3456789
10111213141516
17181920212223
24252627282930
31