This intriguing documentary was made by Robert Clift (the youngest of Montgomery’s nephews) in collaboration with Hillary Demmon. Its stated purpose is to set the record straight about the gifted actor who, with Marlon Brando, ushered in a new, naturalistic approach to acting on screen. According to Robert’s father Brooks Clift and others who knew him he was not (as so many stories would have you believe) a tortured soul. He was confident in his profession and made no effort to hide his homosexuality. What’s more, he worked productively even after his catastrophic car accident in 1956. During a 1960s TV interview with columnist Hy Gardner he points out that he made as many films after the accident as he did before, including his two favorites, The Young Lions and Judgment at Nuremberg.

Brooks Clift (an interesting figure in his own right) was in the habit of tape-recording all his telephone conversations, which gives his son a storehouse of material from which to draw. There is also color home movie footage of Montgomery in his heyday. In addition, Robert conducted on-camera interviews with family members as well as Judy Balaban, who briefly dated the actor, biographer Patricia Bosworth and the late Jack Larson, who knew Monty from the early 1950s on.




Robert discusses small but significant errors in Bosworth’s best-selling biography and chronicles his father’s unhappiness with her inability to make corrections. We even eavesdrop on several phone calls and learn why Monty’s brother was preoccupied with documenting his every utterance.

Perhaps the most significant aspect of the film is a series of excerpts from key movies (From Here to Eternity, Judgment at Nuremberg) that confirm Clift’s claim that he often rewrote his own dialogue. By showing those clips in a split-screen with the shooting script, we see how Clift crossed out the writer’s words and penciled in his own, drastically condensing the speeches but still conveying their intent.

Making Montgomery Clift is a highly personal endeavor that should be of interest to any film buff. It leaves some questions unanswered (Monty’s father is never mentioned) but paints an admiring portrait of a singular talent. It’s available on VOD right now and is well worth seeing.

Leonard Maltin is one of the world’s most respected film critics and historians. He is best known for his widely-used reference work Leonard Maltin’s Movie Guide and its companion volume Leonard Maltin’s Classic Movie Guide, now in its third edition, as well as his thirty-year run on television’s Entertainment Tonight. He teaches at the USC School of Cinematic Arts and appears regularly on Reelz Channel and Turner Classic Movies. His books include The 151 Best Movies You’ve Never Seen, Of Mice and Magic: A History of American Animated Cartoons, The Great Movie Comedians, The Disney Films, The Art of the Cinematographer, Movie Comedy Teams, The Great American Broadcast, and Leonard Maltin’s Movie Encyclopedia. He served two terms as President of the Los Angeles Film Critics Association, is a voting member of the National Film Registry, and was appointed by the Librarian of Congress to sit on the Board of Directors of the National Film Preservation Foundation. He hosted and co-produced the popular Walt Disney Treasures DVD series and has appeared on innumerable television programs and documentaries. He has been the recipient of awards from the American Society of Cinematographers, the Telluride Film Festival, Anthology Film Archives, and San Diego’s Comic-Con International. Perhaps the pinnacle of his career was his appearance in a now-classic episode of South Park. (Or was it Carmela consulting his Movie Guide on an episode of The Sopranos?) He holds court at Follow him on Twitter and Facebook; you can also listen to him on his weekly podcast: Maltin on Movies. — [Artwork by Drew Friedman]

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June 2024