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‘Sing Street’ In One Word: Irresistible

Sing Street is a real charmer from John Carney, the writer-director of Once and Begin Again. Like those films, this isn’t a musical in the conventional sense of the word but it uses original songs (cowritten by the filmmaker) to move the story forward and reflect the feelings of its main character. It’s a perfect integration of music and storytelling, set in Dublin in 1985. Newcomer Ferdia Walsh-Peelo plays Conor, a 15-year-old lad whose bickering parents’ money woes result in him having to transfer to a public school filled with tough, unfriendly kids and run by a mean-spirited priest. His refuge is music. In this he is encouraged by his older brother, a college dropout, who advises his sibling on the best bands, past and…

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‘The Jungle Book’ Reinvented

Jon Favreau’s new production of The Jungle Book for Disney is nothing short of spectacular: a reinvention of the much-loved cartoon feature brought to life with taste, heart, and cutting-edge technology. When I heard composer John Debney’s rerecording of the Disney logo music, “When You Wish Upon a Star,” a smile crossed my lips, and any doubts I had about combining a live-action Mowgli (Neel Sethi ) with CGI-rendered animals was dispelled within moments. Much has changed since Walt Disney made his lighthearted animated film in 1967, and that too is reflected here. This is a much more intense film where life-and-death struggles are explicit, if not graphically depicted on camera. (I would urge parents of young children to heed the PG warning.) In place…

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Jake Gyllenhaal Breaks Down in ‘Demolition’

We all process grief in our own way: that’s the crux of Demolition, in which Jake Gyllenhaal loses his wife and proceeds to fall apart. I should have been on the verge of tears through all of this, but somehow, I just didn’t care. Bryan Sipe’s screenplay establishes Gyllenhaal as a man who seems to have everything: a beautiful spouse, a magnificent home, and a cushy job on Wall Street working for his father-in-law (Chris Cooper). But in the wake of that fatal accident he realizes that none of it has meaning. When Cooper tells him that in order to fix something, you have to take it apart and put it back together, his son-in-law takes the aphorism literally and begins to demolish everything around…

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Melissa McCarthy as ‘The Boss’: A Near-Miss

It’s hard to define good taste, but it’s easy to recognize its absence. That’s the problem with The Boss. So much of Melissa McCarthy’s new movie is hilarious that it’s frustrating to watch it cross the line and never quite recover. Even the punchline gag is unfunny and left the audience I saw it with audibly uncomfortable—and strangely silent. That’s not how you want to have people leave a theater. McCarthy is in top form as the world’s 47th richest woman, a self-made billionaire whose unhappy childhood at an orphanage and a series of foster homes has made her ferociously self-reliant and ruthless in her business dealings. Just ask her onetime boyfriend, Peter Dinklage, with whom she is now engaged in a blood feud. He…

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Melissa McCarthy as ‘The Boss’: A Near-Miss

Melissa McCarthy as ‘The Boss’: A Near-Miss

Jake Gyllenhaal Breaks Down in ‘Demolition’

Jake Gyllenhaal Breaks Down in ‘Demolition’

New and Notable Film Books—April 2016

As usual, film books pile up faster than I can read them, so with the exception of the first title below and the picture-book that follows, I cannot call these reviews. They are summaries based on skimming the pages of books that all look interesting and worthwhile. Another installment of this periodic column will follow soon. SLOW FADE TO BLACK: THE DECLINE OF RKO RADIO PICTURES by Richard B. Jewell (University of California Press) The eagerly-awaited follow-up toRKO Radio Pictures: A Titan is Born is now here, and I gobbled it up like a box of popcorn. Longtime USC professor Jewell gained access to RKO paperwork several decades ago, before it was locked away in storage. Because of this he is able to document in…

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