Menu

No Pride, Lots of Zombies

Jane Austen has proved to be one of the most durable authors of modern times, judging by how many adaptations, extrapolations, and rip-offs of her work have been filmed over the past thirty years. Who would dream that a movie called Pride and Prejudice and Zombies would be the dullest one of all? Even the adaptation of Abraham Lincoln: Vampire Hunter (based on a mashup novel by the same author, Seth Grahame-Smith) had more going for it than this tiresome film, written and directed by Burr Steers. The premise, laid out in a handsome but tedious title sequence, is that England has been invaded by an army of zombies who threaten to decimate the landscape and its population. That includes the Bennet family, headed by…

READ MORE >

Good Writing About Films—and Books

As talented film critics continue to lose jobs right and left, a small ray of sunshine has broken through: a new outlet where good writers are writing essays about notable films based on equally notable books. The estimable Michael Sragow is serving as curator and primary contributor to this site, called The Moviegoer, which is an enterprise of Library of America. Mike’s initial essay, about Michael Mann’s The Last of the Mohicans, which you can read HERE, sets the bar high. Not only is he intimately acquainted with James Fenimore Cooper’s book and Mann’s adaptation, but he’s aware of the 1936 film and the beautiful 1920 silent feature by Maurice Tourneur and Clarence Brown. (When I asked him which iteration of the Mann film he…

READ MORE >

Good Writing About Films—and Books

Good Writing About Films—and Books

Bored With 70mm? Try Magnascope!

Bored With 70mm? Try Magnascope!

Bored With 70mm? Try Magnascope!

Now that Quentin Tarantino has revived Ultra Panavision 70 and released a major film in 70mm, and the American Cinemathèque has screened a handful of vintage large-format features, the Northwest Chicago Film Society is giving its audience an experience almost no one today has witnessed: Magnascope. As we now know, film pioneers experimented with every technique imaginable in the earliest days of motion pictures, including sound, color, and 3-D. In his revelatory volume Fight Pictures: A History of Boxing and Early Cinema, historian Dan Streible reveals that some of the earliest boxing movie “events” were photographed and projected in 65mm and other widescreen formats—including The Corbett-Fitzsimmons Fight in 1897.   Then, in the 1920s, came Magnascope. Scott Eyman writes in The Speed of Sound, “Magnascope…

READ MORE >

Subscribe to our newsletter

MERCH

Maltin tee on TeePublic

PODCAST

Maltin on Movies podcast

PAST MALTIN ON MOVIES PODCASTS

Past podcasts

PATREON

Maltin On Movies Patreon

APPEARANCES/BOOKING

Leonard Maltin appearances and booking

CALENDAR

December 2025
S M T W T F S
 123456
78910111213
14151617181920
21222324252627
28293031